作者:美国设计师 埃迪R
一、设计创意的涵义
“创意”所谓创意就是前所未闻和未视的,能充分反映并知足人们某种物质的或情感的需要的意念或构想。最基本的要求是,求新、求奇、求异、真实、有思惟、有计划,以创意的图形加速传播信息,传达商品内容。说服消费者和大众群体,从而达到促销的目的。因而广告设计中的创意的“意”是指设计思惟和设计谋划,为了说服消费者,倾销商品的一种劳务,是寻找消费者的一种好办法,好点子,让消费者建立一种新的消费理念。
每种产品者有其特定的消费群体,在广告设计过程中必需充分了解这些群体结构和需要。例如,电动玩具是给儿童的,绿台球是给成年人的,食物要有自然的,厚味的,香水是自然的,夸姣糊口的,爱情的。在构思中找出各自特征,各自需求,各自心理流动。例如:“啤酒之王”广告以王者之风创意中央,以消费者心理需求为目的。用现代摄影的高超合成手段,采用比喻夸张手法,将小小的易拉罐啤酒变成超乎天地间人工特大造物,非同异常的品质和气魄。山川、大瀑布、啤酒易拉罐,一派纯自然的感觉。创意中的“名酒王者、纯自然”,就是消费者真正心理需求,根据需求创造一个夸张奇异的有冲击力的日本名酒视觉形象和视觉语言。
可见,创意是无穷的,每个产品都会有一个最适合自己的传播形象和语言,创意离不开市场,市场是创意灵感的来源,创意的产生也要经由足够的前期积累才有可能,这种积累越丰硕,思维碰撞产生的火花越多,创意产生的机会也就越多,这种积累就是市场调查结果,它包括同类产品调查,消费咨询,并通过多次市场调查和信息反馈,才能策划出多种或最佳设计方案,最后择优定位。只有定位,广告内容和广告风格及品牌形象才能基本确定。定位就是创意的开始,是创意首先要解决的枢纽题目。下面有两种定位:
(1) 比较定位 同类产品比较,外观、机能、特点、重点、方式、图形视觉形象,市场据有率,市场远景等。
(2) 情感定位 产品是否给消费者带来感情上的知足,文化背景,时代潮流,社会风俗,消费者心理,找出联系关系点,配合消费者心理流动,引起共识。
通过收集各方面的资料进行汇总研究最后制定出版面、色彩、构图风格和图形的表现、时间与宣传的重点,这种严格的市场调查的创意方法看起来比较麻烦,由于广告不仅作为艺术再现的艺术,而是以促销为终极的目的,所以广告设计必需围绕新产品的特点,消费者心理需求来构思计划,这样的广告才能有针对性施展现场促销功能。
二、广告创意的表现
广告设计固然也需要采用艺术创作的某些方法和手段,但广告设计的任务在传递商品信息,说服消费者达到促销商品,而广告创意的内涵与艺术创意的传神是绝对不相同的,广告创意不是客观对象的艺术再现,不是作者主观情感的视觉化,而是对事物理解的进行表现,创造一个求新、求奇、求异、真实的能正确传播信息,传达商品内容的图形视觉语言的图象艺术。塑造的目标是消费者个性,心理流动的意境,创造一个鲜见奇异极有意趣图形引起购买者的爱好,使商品在消费者心中留下深刻的印象,建立一种消费观念。
一幅成功有创意广告,新颖的构思浓缩的个性表现是设计师必先考虑的题目。除了有新颖的构思,浓缩的个性化表现之外还要根据消费者心理需乞降接受的程度,以及消费者层次来决定图形的表现手法。手法有写实的、对比的、悬念的、连续的、寄意的、夸张的等等手法。不论什么手法,图形必需要新颖、典型、易懂、易读、易记强烈的形式感和艺术魅力,这是招贴广告成功重要因素。
从传播快捷角度来讲,图形设计要求越简,越明,越好,只要表达信息内容正确生动,尽可把千言万语浓缩成一句话甚至一个字,把千形万象凝练成一个圆形符号。就其感人的艺术魅力而言,艺术形象越典型、越单纯、越集中、这样才更易于内涵的深度。在正确传达信息的同时给人留下深刻印象和夸姣的享受。
例如:第四届科罗拉多国际招贴展中(捷克斯洛伐克)罗斯托卡的展览海报作品,采用共用形反向思维比喻手法,把“爱”“互动”凝练成一个圆形符号,简洁明了,凸起海报展览与读者关系,把主题内涵提到一个深度。在目前一些广告公司的设计员中的人,不从宏观的、全局的、发展的构想入手,不是根据消费者心理流动和需求去求新、求奇、求异、真实的有思惟的、有计划的创意,而是接到设计委托后,找来一大堆人家已经登场的广告进行仿制,其结果除了商品,厂标不同之外,构图文字,色彩、风格等经常千篇一律,这样的广告又怎样引起人们视线的留意和爱好呢?不但达不到广告的传播宣传效果,而且造成了大量人力、物力、财力和时间的铺张。一个好的广告创意不论是图形语言仍是文字语言最基本的要求是在广告中你要说什么、怎样说、在何地、何场面、何时间、对谁说,通过对市场调研分析后才能确定要创意的主题,从而选择最佳的独特表现方式和手法,达到正确传播信息,传达内容。
首先每每在我礼聘助手的时候,没有电脑障碍是我的第一个要求,这一定算是基本功。 我见过很多自以为是精晓电脑的设计师,但一出手我就认定他们的技术来自口耳相传,随时给自己的工作埋设炸弹,这些设计师的自信无疑会将他们不懂电脑的老板送向破财之路。当然,我天天都要求我的设计助手们不依靠电脑,这并不自相矛盾。不依靠毫不是说可以不懂,究竟在我们工作中,从设计到印刷的每一道工序都需要电脑的匡助。今天看这一题目就象画家不会用笔的道理是一样的。
其次,对印刷知识的匮乏阻碍了很多平面设计师的发展。由于不了解,很多设计师以为自己的设计就是电脑屏幕上的样子,这很危险,由于技术的原因,它与实际的输出效果还有较大的差距。不认识印刷的特性与缺陷,很多设计师在做设计的时候不断地给印刷找麻烦,设置障碍,这很愚蠢。平面设计师需要了解的印刷知识有很多,好比说各种品牌印刷机的机能、统一机型不同规格的机能、不同品牌油墨的机能、四色油墨与专色油墨的特性、不同品牌、规格、品种纸张的机能、特殊工艺、后期加工及装订等等,这些都是设计师在做设计时需要为客户考虑的题目。 那么,懂了电脑,懂了印刷流程,就可以称作平面设计师了么?可能还不行,究竟以上说的与“设计”还没有直接的联系关系。就平面设计而言,还有很多特色性的规律,对于这些我的爱好更大。
A、平面不平
二十多年来,我自己有过良多幸运的事。好比在我吃这碗饭之初,无意偶然在旧书摊上买过一堆“TIME”杂志,这是永远令我感到高兴的回忆。由于那时我正被目眩缭乱的设计弄得五迷三倒,无师可从,这堆旧杂志让我开了眼,见识了正点。 当真阅读TIME杂志,一切有关平面设计的技巧都囊括其中,而且绝不张扬,温文而雅,为抄袭者提供了大量改头换面的空间。我对平面设计的理解良多来自这堆旧杂志。
“平面不平”是我对平面设计中画面效果的一种理解,良多人把它叫做版式、构图、结构、形式感…都可以,我喜欢把话说得简朴。拜读了良多好的设计后,我感到设计师们都在有意无意地追求着“不平”的效果。即利用各种平面元素,在平面材质上(好比纸张等),努力拉伸视觉空间。这一理论,画家塞尚早我们一百年就开始尝试了,并已作到了极致。令我很感叹的是一百年前最不贸易的令人类恐慌的艺术变革,一百年后却变成了最最贸易的平面艺术,多有意思。
这一空间概念涵概了天然空间感慨感染与矛盾空间感慨感染。随设计师的兴趣、版面要求、视觉冲击需求、自由选择。现在已经没有良多人大惊小怪了,但不管展现天然空间感慨感染,仍是矛盾空间感慨感染,设计师所使用的技巧(或称元素)是有规律的。把它们归纳在一起也有一大堆。好比:打洞;夸张阴影效果;使用极具真实性与质感的图象;什物元素与绘画元素的对比使用;利用色彩之间的反差效果;利用线与色条的叠压效果;利用文字与图形、文字与文字的叠压效果;文字之间大小比例关系的对比等等。由于篇幅所限,不作细解,今后可将范例作品与理论文字对照比较,一目了然。
B、色彩中的音乐
色彩是平面作品中的灵魂。想运用好它一定要了解一些纸张与油墨的知识。不同纸张与不同油墨的组合,会产生出绝对不同的效果。但我们与画家的区别是:平面设计师手中的颜料只有四管儿,但它可以依赖网点的疏密特性,调和出所有我们可感知的颜色。这真是一项神奇的发明,作为印刷技术的原创民族我们感谢德国人。 利用网点与纸(白色)的配合,我们才能让油墨显得更平均、鲜艳和干净。但这只是技术上的事,设计师在设计工作中对色彩的运用还要更多的依赖灵性。
我常但愿身边的设计师朋友们能学习一些音乐,这并不是故弄玄虚,用音乐的理论解析色彩真是简朴直白,这是我的发现。
a. 首先懂得音乐的人都知道在乐器上找不到一个固定的音,音符“叨”随调式改变着位置,不同的调式传达出不同的感情,适合着不同的乐器与人声。这与我们运用色彩的道理是一样的,整幅画面的基调与情绪是通过画面色彩的冷暖传达出的。但从小我们头脑中的色彩冷暖关系就是固定的。红色偏暖,蓝色偏冷。实在这是一个错误的概念。
犹如音符一样,颜色随附近环境的变化转换着调性(冷暖关系)。懂得这一道理,蓝色也可以被我们渲染成暖洋洋的样子。 由于屏幕的关系,平面设计师已经不习惯给颜色以文学式的命名,好比洋红、群青、湖蓝,取而代之的是更简朴,更直接的4个数字。这很好,符合贸易时代或叫数码时代的要求,是个机械式的要求。对色彩调性化理解是对平面设计师灵性的练习。
b. 其次和弦与旋律概念在平面设计中的应用 玩乐器的朋友都懂得另一个道理,无所谓哪一个音好听与刺耳,音符一定要放到一起去,才能叫音乐,否则“叨”“叨”“叨”一直按下去一定是噪音,“叨”“咪”“嗖”放在一起就变成了和弦“C”。这比如颜色中红蓝白的搭配一样,永远和谐。和弦可以继承往里添加新的音符,好比加个“来”这个和弦马上变了情绪,变成了一个7和弦。假如把“咪”换成降“咪”就更是大相径庭地跑到蓝调里去了,就似乎在红蓝白的组合中,配上紫色或桔色给人的视觉感慨感染是截然不同的。和弦一直可以添加音符进去,成为9和弦,13和弦……在色彩上就比如我们常说的高级灰。
明白这个道理后,我们就会更直接地舆解颜色是应该分组使用的。这些组合的基础应该向和弦C、D、E、F…一样,有一个最原始的搭配,设计师想不断变化,就在这些组合里求变吧。你一定要把不要紧的颜色放在一起,就象”发“和”希’谁也不挨着谁,两者之间不要紧,你的画面一定清淡;假如你一定要把敌对的颜色放在一起,准会丢脸。运用和弦的道理去理解色彩,你会当即跳精彩彩贫乏的误区,发现面前可用的颜色太多也太美了。公道搭配的色彩组合把画面的视觉空间不断拉伸,让画面不仅绚丽而且厚实,这就是色彩和弦的作用。
但仅仅有了和弦就能成为音乐吗?分歧错误,音乐还需要旋律,没有旋律的音乐不好听。那么,平面作品的旋律是什么呢,它是我们眼睛观看一幅作品的过程。一幅招贴也罢,一本宣传册也罢,都存在着一个先看到什么,再看到什么,最需要人们看到什么,记住什么,回味什么的题目。这些就构成了平面作品的旋律,让观众的眼睛什么时候紧张,什么时候休息,最后停留在哪个地方,这是设计师最需要动脑子考虑的题目。
c. 节奏 根据我的建议,长时间以来,我的设计助手们一直在总结、记实各种各样的色彩组合。
从名家的作品中,从各民族的图案里,从天然景物中,然后在实际的工作中我们使用这些颜色。好比我们为“好伦哥”比萨饼店做的小折页里所使用那一组颜色,就是从蔬菜和生果里找到的。由于我们需要一套让人看了就饿的颜色。但题目很快就来了,很多我们在名家的好设计里总结出的颜色组合,再经由我们使用后就变了样,没了神儿,这是为什么呢?真让我们苦恼了一阵子。
起先我们还认为是在颜色记实时出了题目,查对的颜色不够正确,再后来的良多次实验都不成功,但幸运的是迷惑了良久仍是让我们找出了原因。原来色彩的使用与音乐中的节奏一样,需要比例,很多好看的色彩组合还需要公道的色彩比例控制,在特定的前提下某个颜色的使用面积一定要大,某一颜色就要小,某些仅仅是为了透气,某些就是为了压沉,再往下我就没有决心信念继承寻找规律了,其实是变化无常。但可以肯定的是平面作品一定需要一种节奏的控制,控制节奏的元素有良多,它们中常用的就是颜色、图片与文字排列。 就象文章的刚一开头说的那样,我们一直在寻找一个没有定律的谜底,恰是由于没有规律,平面设计才显得有趣味,并且布满挑战 、刺激。许很多多的机会就是在无序中诞生的。
Creative poster design First, the meaning of creative design "creative" and the so-called creativity is not as unheard of, and meet the people can fully reflect certain material or emotional needs of ideas or concepts. The most fundamental requirement is, become thrilled with novelty, and strange, surprise, the real, thinking, and plans to accelerate the dissemination of creative graphic information conveyed commodities. Persuade consumers and the general public groups, thereby achieving marketing objectives. Creative design and advertising "is" means the design and planning and design, in order to persuade consumers, a marketing commodity services, consumers are looking for a good approach, good ideas for the creation of a new consumer spending philosophy. Each product has its specific consumer groups who, in advertising design process must fully understand the structure and needs of these groups. For example, electric toys are to children, to adults is green billiards, a natural food, and delicious, natural perfume is, a good life, love. Identify their characteristics in mind, their needs, their psychological activities. For example : "beer of Wang" winds of creative advertising to Harry center to the psychological needs of consumers for the purpose. The superb photography combined with modern means of a metaphor exaggerated way to small beer cans into an artificial creation than heaven and earth, especially the exceptional quality and momentum. Mountains, the Great Falls, beer cans, one purely natural feeling. Creative, "famous magic, pure natural" is a real psychological needs of consumers, according to create an exaggerated peculiar needs of the visual impact of famous Japanese language and visual image. Clearly, creativity is unlimited, each product will be one of the most suitable image and disseminate language, creativity from the market, which is the source of creative inspiration, creativity have also read enough early accumulation is possible that the accumulation of wealth, thinking collisions have more spark, the creative opportunities are more and more, This is the accumulation of market survey results, which includes investigating similar products, consumer advice, and through numerous market surveys and feedback to the planning of a variety of design programmes, or the best, the final selection of the best location. Only positioning, advertising content and style and brand image advertising can basically decided. Positioning is innovative, creative must first solve is the key issue. The two positioning : (1) Comparative positioning similar products compared appearance, performance, characteristics, focus, style, graphics visual image, market share, market prospects. (2) whether the emotional positioning products to consumers emotional satisfaction, cultural background, the trend of the times, social customs, consumer psychology, correlation point, with consumers psychological activities, causing resonance. Through the collection of information aggregation study published last set face, color, and graphic design style of performance, time and publicity focused on the stringent market survey appeared more creative methods trouble, because advertising is not only as art -- art, but in marketing for the ultimate purpose of So advertising must be designed around the characteristics of new products, consumer demand for psychological concept plan, such advertisements can be targeted to the marketing function. Second, advertising creative expression While advertising design also need to adopt some artistic methods and means, but the task of designing advertisements in the transmission of information to persuade consumers to promotional merchandise, and advertising creative content and creative arts skills are absolutely not the same, the objective is not advertising creative arts -- target, not the authors subjective feelings of the visual, but to understand things for performance, and create a become thrilled with novelty, and strange, surprise, true to the dissemination of accurate information conveyed to the graphic content of the visual images and language. The goal is to shape consumer personality, psychological activities mood, and create a rare gift graphics very peculiar interest from buyers for the commodity in the minds of consumers impressed by the establishment of a consumer concept. A successful innovative advertising novel idea enrichment personality performance is the designer must consider. Apart from the novel idea enriched personalized performance, but also the psychological needs and on the basis of consumer acceptance, and consumers to determine the level of graphics performance practices. A realistic approach, contrast, apprehensively, continuous, meaning, and so exaggerated way. Whatever means, graphics must be novel, the classic, easy, easy, easy to remember the strong sense of form and artistic charm, and this is an important factor in the success of advertising posters. From the fast perspective, the more simple graphic design requirements, the more clear that the better, as long as their content accurate vivid, concise words condensed into one sentence or even one of the word, into a 1,000-Vientiane contrast circular symbols. For its artistic charm moving, the more typical image of the art, the more simple, more concentrated, so it is easier content depth. At the same time convey accurate information in the impressive and beautiful enjoyment. For example : Colorado fourth international poster exhibition (Czechoslovakia) Luosituoka poster exhibition of works, using reverse thinking is shared by analogy, the "love" and "interactive" Wu into a circular symbols, concise, poster exhibition highlighting relationship with readers, to a depth of the subject content. In some current advertising companies in the design of the people, not from a macro and overall, the development of ideas with, not on the basis of consumer psychological activities and needs to become thrilled with novelty, and strange, surprise, the real thoughtful, systematic innovation, but a design commissioned, found a people on stage have advertisements for imitation, the results from commodities, plants with different, unique characters, color, style, often ask, How can arouse such advertising sight of the attention and interest? Not only can not achieve the dissemination of advertising publicity, but also create a lot of human, material, financial and time waste. A good advertising creative graphic language, whether written or language is the most basic requirement in the advertisement of what you say and how to say, where, Dr scene, Dr time, to say, through market research analysis to determine the theme to be creative, and choose the best performance of the unique ways and means to achieve an accurate dissemination of information to relay. I often employ assistants in the first time, there is no obstacle is my first computer, which will be basic stance. I have seen many considered to be proficient in computer designers since, but I found them when I talked about technology from readily planted bombs to their work, the self-confidence of these designers will no doubt send their bosses do not understand computers to give way. Of course, every day I asked my design assistants do not rely on computer, it does not contradictory. That can not rely on not understand it, after all, in our work, from design to print each individual process needs computer help. Today at this issue as the artist does not use a pen reason is the same. Secondly, the lack of knowledge of the printing hampered the development of many graphic designers. Because of ignorance, many designers believe that their design is the same computer screen, which is very dangerous, because technical reasons, and it is the actual effect of greater output gap. Not familiar with the characteristics and printing error, many designers do the design in time to print constantly look for trouble and obstacles, it is stupid. Graphic designers need to understand the many printing knowledge, for example the performance of various brands printers, the same type of performance of different specifications, different brand ink performance, with the four-colour ink color ink characteristics, different brands, specifications, varieties of paper performance, special crafts, late processing and binding, etc., These are designers doing design for the needs of customers consider. Then, how the computers have a printing process, it can be called a graphic designer? Possible bribes, and after all the above said, "design" has no direct correlation. On the graphic design, there are many features of the law, for which I interest even more. A, two grievances Over the past 20 years, I have had many lucky things. For example, in the beginning I eat rice bowl, occasionally bought any stand sits in a pile of books, "Time" magazine, which is always makes me feel excited memories. When I was being dazzled 5 and 3 would result in the design, without division from the pile of old magazines I met eyes, a broad vision. A careful reading of Time magazine, all the graphic design skills which will include, but without thinking, gentle and elegant, providing a lot of change for the copy room. I understand a lot of graphic design from the pile of old magazines. "graphic grievances" I graphic design images of the effect of the understanding, many people see it as normal, composition, structure, form sense : all OK, I like the words were simple. Read a lot of good design, I feel architects are intentionally or unintentionally pursuit of the "whole" effect. Namely, the use of various graphic elements in the graphic materials (such as paper, etc.) to stretch the visual space. This theory, which began 100 years painter Cezanne morning we tried, and has achieved a perfection. I am feeling 100 years ago is the cause of panic least commercial art changes, but 100 years after the graphic arts into a single business, and more interesting. This extends the concept of space and natural space feel contradictions space feelings. With the loving designers, layout requirements, visual impact demand, freedom of choice. Many people are now without a fuss, but both display natural space feelings, or feelings of contradictions space, designers used skills (or that element) is a regular. They are grouped together to host. For example : Under; Exaggerated shadow effects; Authenticity and the use of extremely powerful images; Physical elements and painting elements contrast; The contrast between the effects of the use of color; Use of line and color effects of the location; Using language and graphics, text and the letter of the location results; Relationship between the size of the text contrast, and so on. Because of limited space, not for small - and the future will work with the example of the comparison between the theoretical language, too. B, colors, music Color graphic works is the soul. Want to use it must know some good paper and ink knowledge. Different paper with different ink combinations will produce entirely different results. However, the distinction between us and the artists are : Graphic designers paint the hands of only four children, but it can rely on networks of differing characteristics, all we can reconcile the perceived colour. This is really a miraculous invention, as a nation we are grateful to the technology of printing original German. Networks and the use of paper (white) in that we can let ink appeared to be more homogeneous, bright and clean. But this is only a technical matter, the work of designer colors in the design but also more dependent on the use of intelligence. I often hope that the designer friends who can learn some music, this is not a trick, using music theory is really simple straightforward explanation color, and this is my discovery. A. First know music know, no musical instruments in a fixed tone, the note "garrulous" With the transfer of changing the location of different mode convey different sentiments, suitable for the different instruments and voices. This is the reason we use them is the same, the whole tone and mood of the picture is conveyed through images of the color of changes in temperature. But from our minds the color changes in temperature relationship is fixed. Warm red, blue Pianleng. This is a wrong concept. Like note, the changes in colour with the surrounding environment conversion of the transfer of (changes in temperature relations). Understand this truth, we can be up into the blue warm appearance. Screen because the relationship has been used to colour graphic designers to literary style names, such as visual, Qunqing, Hula and replaced by a simpler, more direct four figures. This is very good, or is consistent with the commercial era of the digital era, is a mechanical requirements. Transfer of technology for color graphic designers began to understand the training. B. Secondly chord and melody concept in graphic design applications playing musical instruments friend knows another reason, Indifferent which sound good and hard, note must be placed together, can we call music, or "garrulous", "garrulous", "garrulous" always on the future must be noise, "garrulous", "You" and "whiz" together to become a chord "C". This is like the mix of colors, red, blue, always harmonious. Chord can continue to add new floors note, for example, plus a "to" the emotional chord immediately changed into a 7 chord. If "buying" into decline, "You" is a very funny going to go, just like in the mix red blue, purple or opposition suddenly gives visual feel is different. Chord has been added to note account as 9 chord, 13 chord : : in color, can be compared to that of our regular senior grey. Understand this truth, we will understand more directly on the use of colour should be. These should provide the basis for portfolio chord C, D, E, F :, one of the most original mix, designers think changing, changes in the mix of it. No problem you must colour together, as "Fat" and "Greek 'no one who is near between No problem, your picture will dull; If you must hostile colours together, will be associate ugly. Use logic to understand chord colors, you will immediately jump out color poor mistake, found immediate availability of colour in fact too beautiful. reasonable mix of color combinations to the visual images of space continually stretch to picture not only beautifully and strong, and this is the role of color chord. But just as music can have a chord? Wrong, also need to play music, no music without sounding melodies. Then, what one works melody, it is our eyes watching a work process. A poster making, a brochure making, the existence of one to see what, and then see what most people see what needs to remember what aftertaste what. These works constitute a horizontal melody for the audience's eyes when tension when rest, the final stop where it is most needed to move the brain designers consider. C. Rhythm on my recommendation, since a long time, my design assistants has been concluded, record a wide range of color combinations. From the famous works, from the design of all nationalities, from the natural features, and then the actual work we use these colours. For instance, we as "good Lunge" pizza shop in a small fold-out color used that group is found in vegetables and fruits Lane. Because we need a set of people watched on hunger colour. But the problem quickly to the many good works we have summed up the colour combination of design, through the use of after we changed, not a god child, this is why? Let us really worried a while. We initially thought it was a record in colour, matching the colours are accurate and then later many times experiments do not succeed, but fortunately doubts for a long time or let us find out why. Original colors and the use of music, rhythm, proportion of the needs that many good colors portfolio also need a reasonable proportion of color control in specific conditions of a particular colour must use large area, a colour is small, some simply to ventilate certain is to pressure Shen, and goes I have no confidence in the continued search for law, is volatile. But certainly the need for a two-dimensional works must control the tempo, control the tempo of many elements, which is commonly used in colour, pictures and the letter sequencing. Just like the one at the beginning of the article said, we have been looking for an answer to no law, precisely because there is no law, graphic design before it interesting and challenging and stimulating. Numerous opportunities are born in disorderly. |
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